PERFECTION AT A RESONABLE PRICE Considering
"This review will cover the HIFIMAN Shangri-la Jr Electrostatic, Cayin N7 and Arctic Cable Opera balanced to XLR interconnect from Cayin N7 to HIFIMAN eStat. Amplifier For the N7 amplification I used HIFIMAN HE1000SE and the HIFIMAN Edition XS (Stealth magnets version) For N7 Wonderfully innovative DAC, I used the HIFIMAN Shangri-la Jr System (amplifier and headphone) and to be sure that the Signal going from N7 to Shangri-la Jr electrostatic Amplifier is pure and complete I use the only cable I have come to trust, Arctic Cable Silver/palladium Opera Cable( there is a huge difference when used) I have owned many Cayin DAPs over the years starting from those tiny N3, N5 to N6ii-E02, N6ii-RO1(R2R DAC) to the Wonderful N8ii and now the new N7. I have stuck with Cayin because of their focus on getting as natural a sound as possible from any hardware they had to work with, that passion I believe continues till date. When I upgraded my motherboard from the E02 to R01 an R2R DAC based DAP, the amazing natural detailed and extended range sound exuding from this device suddenly made me realize that my then beloved Fostex T60RP(a planar) was no longer revealing all the details, it was very clear I has to upgrade. This is how I got to know HIFIMAN, noted for planar magnetic headphones too, but they also shared a passion for natural, detailed and extended frequency response and great value for money like Cayin. Hence I find these two match perfectly (for me anyway). The N7 from my listening experience is the best DAP from Cayin today, let me say it now, I am keeping my N8ii and N6ii-RO1 also 😉 The N7 requires a rather extended break-in time, it sounds great immediately yes, but you just wait for about 3weeks, this may be because of the extensive use of discrete components in the build. It is extremely resolving, a champion of inner details resolution, layering, 3D soundstage, natural rich tonality, listen to very well recorded violins or strings in general and you will smile, because of the tonal accuracy piano sounds are also ecstatic, revealing many tonal colors and depth and for vocals wow 👌 just accurate and natural, not dripping because of coloration. No, just right. I believe when a device has a natural frequency response that is naturally even and very extended it is able to reproduce fundamental frequencies and proper odd and even harmonic content of each instrumental notes that give them character even as the performers themselves based on how they play can alter the relative quantity of these odd and even harmonics relative to the fundamental to create their own individual sounds. This is what I enjoy most in the Cayin N7 and these qualities are allowed to come through very clearly by the Arctic Cable palladium to the HIFIMAN Shangri-la Jr electrostatic to my ears. The Shangri-la Jr has a stated frequency response of 7hz to 120khz!, it is a very revealing system(transparent) don't try to drive it with another amplifier, doing so will emphasize one aspect at the detriment of another. The bass is very deep, the mids very natural and the highs very extended and smooth. A real bargain. Any complaints you may have about the sound, check your input device and cables instead. The N7 bit stream DAC is phenomenal, with the Arctic Cable palladium connecting it to the Shangri-la jr. You will hear immediacy, natural punch, brilliance, a lot of details, a liveliness that even HIFIMAN other planers can't match, as good as they all are, but that eStat. Speed makes all the difference. At this point you are all wandering how does the N7 compare with the N8ii and even maybe the Cayin’s R2R DAP N6ii-RO1, in my opinion based on listening, not because I am trying to protect my previous purchases, it betters all of them. N6ii-RO1 is great but it does not have the details nor the driving ability of the N8ii, though a bit more organic, just a bit, N8ii design is quite sophisticated especially the Tube amp. N7 and N8ii are a bit close when playing flac or Mp3 recordings N7 being a bit brighter and punchier and fuller(more extended) N8ii tube amp gives a feeling of being wider sound, the big difference comes when you play a DSD file, OMG, the N7 just knocks the socks off any competition local and foreign 😀. Try these recordings to see what I am talking about, Carmen Gomes "Thousand Shades of Blue" DSD512f, the realism of the drums, bass, cymbals not to mention her voice wow!!! Then go over to the Shangri-la jr to hear this and the vividness could be a shock. The clarity of her diction, the emotional expression will knock your socks off. Listening via the HIFIMAN HE1000SE you will hear some of these too but not as vivid, the HIFIMAN Edition XS does not shame itself here either, this is another superb performer for those on a budget. The piano tones, listen to the new release on BIS label 192kz/24bit "Echo" especially the 5tracks contributed by Huw Watkins, who also played the piano on this album. The piano tones all ring through in various colors like sparkling diamonds. For strings(violin) try the Harmonia mundi release of Isabelle Faust -violin and Anna Prohaska- Soprano of Gyorgy Kurtags "kafka-Fragmente)... spellbinding!, for large orchestra I used the Gustav Mahler's 7th Symphony Budapest Festival Orchestra a DSD recording ..I was transported to another world where the music continued endlessly!. Another recording I need to mention here is ECM recording of Stephan Micus' "Thunder" Stunning especially on that Title track you will actually see clouds gather in the sky 😀 the drums, the strange traditional horn instrument used and those tiny chimes that are Never masked in spite of the power of the other percussions instruments...a testament to how N7/Shangri-la Jr tracks every sound in your mix Enjoy 😁"